Press Release Soorya Performing Arts presents Bahulya - Multiplicity in dance by Prasanna Kasthuri June 28, 2009 St. Louis, Missouri June 4, 2009 Soorya Performing Arts presents BAHULYA - MULTIPLICITY IN DANCE, a solo performance conceived, choreographed and performed by Prasanna Kasthuri. Bahulya - Multiplicity in dance showcases compositions from 8 major languages of World. The program begins with a traditional prologue Jaya Janaki Ramana in ancient SANSKRIT and features Srishti shikhar ullase, by poet Nazrul Islam in BENGALI, Enchanting Deer - Maja anun dya to harin ayodyanatha in MARATHI, That’s not him - Raat Samay vah in HINDI, The Bangleman - Balegara chennaiah an award winning poem in KANNADA, My mistress’s eyes by William Shakespeare in ENGLISH, The boatman – Story of Guha in GUJARATI and poet Bharathiyar’s poems in TAMIL in a traditional tillana format. Prasanna Kasthuri utilizes his experience as a teacher/choreographer to present his newest work Bahulya - Multiplicity in dance. Having worked with Indian and American dancers and students over the last 13 years, Prasanna has produced numerous ground breaking works using pure classical Indian dance techniques. Bahulya - Multiplicity in dance is thus the fruit of his multi-lingual and multi-cultural involvement that expand and explore movement and emotion. It reflects the vibrant facets of life from wonder to joy, from love to possession and from loss to peace. Bahulya - Multiplicity in dance is multiplicity... of language, of culture, of expression, of human emotion and of dance. Choreography &
Artistic Direction: Prasanna Kasthuri When: Sunday,
June 28, 2009 @ 6 pm Prasanna Kasthuri also curated the first ever Indian Drama Festival ‘Nataka 2007’ in St. Louis and the first ever Indian Classical Dance Festival in St. Louis – ‘St. Louis Indian Dance Festival’ in 2008. He is a devoted teacher of two dance styles Bharatanatyam and Kathak and has trained hundreds of students for the last two decades. Bahulya is a presentation of Soorya Performing Arts and is supported by the grants of Missouri Arts Council. |